Starring:
Chris Evans, Scarlett Johansson, Anthony Mackie, Sebastian Stan, Samuel L.
Jackson, Robert Redford
Written
by: Christopher Markus and Stephen McFeely
Directed
by: Joe and Anthony Russo
Following the alien
invasion of New York, Steve Rogers (Chris Evans) is still trying to adjust to
the 21st century, and attempting to find purpose in the murky world
of S.H.I.E.L.D. When events begin to suggest that not even his closest allies
can be wholly trusted, he goes off grid, with the aid of fellow veteran Sam
Wilson (Anthony Mackie) and S.H.I.E.L.D. agent Romanov (Scarlett Johansson) to
uncover the truth behind both the conspiracy and the mysterious Winter Soldier…
One of the major strengths of the Marvel films thus far is
their ability to encompass a wide range of genres under the general ‘comic book
movie’ umbrella. The ‘Iron Man’ franchise brings in elements of science fiction
and broader action films. With ‘Thor’, there are shades of high (and low)
fantasy with a touch of space opera. The first ‘Captain America’ film was a
pulpy affair, harkening back to matinee serials in a similar vein to ‘Indiana
Jones’, all Nazis and ray-guns and thrilling derring do. It even found room for
a song and dance number.
‘The Winter Soldier’, for much of its running time, sits
firmly in the political thriller camp, at least thematically. Even before
consideration is given to the plot, Robert Redford’s casting as a senator draws
attention to this focus, recalling his long association with such films, as has
been heavily discussed in the promotional material. It’s a smart direction to
take. To some, Captain America is probably the toughest of Marvel’s current
roster of characters to bring to the screen successfully, similar to DC’s Superman.
He’s a decent, pure-hearted man, a throwback to bygone periods and
old-fashioned values, and…well, Captain America.
It’s easy if inaccurate to dismiss him as a jingoistic tub-thumping
all-American patriot. To my mind, what he really stands for is basic decency,
but then again that’s equally un-fashionable in some circles; anti-heroes seem
to be far more popular these days, and even amongst his stable mates the
Captain is seemingly a less shaded character (contrast Tony Stark’s flippant,
cynical exterior and wounded, vulnerable interior, or Thor’s initially
boisterous, immature warrior). Putting him at odds with some of America’s less
palatable institutions, or their fictional counterparts, is a neat way of
allowing that moral integrity to come to the fore without calling to mind the
(inevitable and somewhat tired) comparisons to the puppets of ‘Team America’.
For the first hour or so, there’s a perhaps surprising level of sophistication
to the plot, raising questions that very much resonate with real life issues of
freedom and civil liberty.
Then you reach the halfway mark, certain revelations are
made, and an unfortunate amount of that ethical debate is undermined if not
quite discarded. It’s a real shame. No one is going to call the Marvel films
masterworks of intellectual and philosophical subtlety, but particularly over
the last two or three films they have shown a tendency to reach a little higher
than the average blockbuster. While ‘Winter Soldier’ keeps elements of that
maturity going, certainly on a character level, it becomes a fairly standard
good guy vs bad guy romp which is thoroughly entertaining but disappointing.
To say more would be to spoil, so I shall move to other
areas. Chris Evans seems much more comfortable in the role than in his previous
appearances, perhaps more comfortable in a less ridiculous costume than he
sported in ‘Avengers Assemble’, and clearly relishes the more mature material.
It helps that there are some far more solid characters around him; Scarlett
Johansson walks away with the screen more or less every time she’s on it,
showing sides to the Black Widow that haven’t been seen on screen before –
here, her tongue is nearly as deadly as her assassination skills – while
Anthony Mackie’s Falcon provides sterling support as a more modern, ironically
grounded counterpoint to the Captain’s war experience. There’s also a beefed up
role for Samuel L. Jackson as Nick Fury, building on some of the dubious
decisions made in ‘Avengers Assemble’. In other roles of note, Sebastian Stan
is effectively blank (for the most part) and Terminator-esque as the titular
Winter Soldier, but more could have been made of the character. There will
clearly be follow-ups to this strand in future films, but one of the Marvel
films’ strengths thus far has been some strikingly nuanced antagonists (albeit
more effective in some instances than others), and for the vast majority of the
film he is little more than a superhuman thug.
That said, while he may be thin on characterisation, he is
incredibly effective as a threat to our heroes, and the setpieces are probably
the highlight of the film. The final section is perhaps a little overlong, and
for all the romping spectacle a little traditional blockbuster (things explode,
a lot), but there are a couple of scenes earlier in the film that really stick
in the mind – the Captain effortlessly retaking a ship from some pirates, and a
surprisingly brutal brawl in an elevator.
Ultimately though, the spectacle is all that ‘Winter Soldier’
really excels at. ‘Iron Man 3’ combined better setpieces with more emotional
depth, while ‘Thor 2’ cements itself in the head by being funnier than most out
and out comedies. ‘Winter Soldier’ has some interesting developments for the
overall Marvel franchise, some solid performances and a sharp script which all
combine to make it a really good film – but if it had kept that murky tone
going, it might have been great.
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